A Single Man (2009)

Throughout the Critical Approaches class, we learned how to conjugate cinematic language into the paper. Studying different angles (feminist, narrative, formal, Marxist, queer, etc.) we dissected many movies and short-films. For this critique, we analyzed the formal aspects of Ford's debut film.

Arts and Literature/LaSalle College | Montréal/2ql5mlp3sedrw5aaap8oiwku22t1kril

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